...Nick Brownlee on »Bait«, mistakes in Suaheli and Kenia
...Nick Brownlee on »Bait«, mistakes in Suaheli and Kenia
I have been writing fiction since I was a small boy. One of my first stories was 300 words of red hot porn, typed out with one finger on a portable Olivetti typewriter when I was 10 years old. It nearly gave my grandmother a heart attack when she read it by mistake.
I must have a dozen or more novels gathering dust in my desk drawer, and if BAIT hadnt been published Id still be writing them. Im lucky: for me, writing is a job and a hobby.
I always regarded my non-fiction books as an extension of my day job which was writing features for newspapers. Lots of research, and making sure youve got your facts right. But once the book was done I could happily forget about it.
Writing a novel, especially a first novel, is a much more harrowing experience. Its like having a child: you create it, nurture it, but then you have to let it go into the big bad world to fend for itself. You wake up in a cold sweat hoping its going to be all right. I just hope it gets easier the more you have!
I suppose because BAIT is, at its heart, a story about modern Western society and what happens when its moral boundaries are breached. Apart from Inspector Jouma, my main characters are white men just trying to make a dollar by fair means or foul. They dont care about the heritage and myticism of Africa. To them myths, magic and legend is just mumbo-jumbo.
Not at all. BAIT was an escape from them!
I always wanted to write about a cop who solves murders using oldfashioned legwork and powers of deduction, and criminals who commit crimes without worrying about leaving fibres or hair follicles at the scene. But how do you make characters like that realistic in a world of increasing surveillance and forensic advancements?
A few years ago I attended a friends wedding in Kenia and I realised that I had found my location. In terms of forensic science, its still pretty much in the dark ages. There is a lot more scope for crime. Its also got crocodiles, which are very handy for disposing of people!
Kenia is a melting pot of poverty and wealth, privilege and suffering, a place where the normal rules dont exist. For a writer that is incredibly liberating, and for a crime writer doubly so.
My old editor used to say: Never let the facts get in the way of a good story! but while the plots of my books come from my imagination, the background is meticulously researched to make it as authentic as possible. Ive been to Kenia several times, and I keep up with the local newspapers, books and websites when Im in England. In Kenia the truth is often stranger than fiction.
Obviously it is risky to write a book set in a foreign country, but when BAIT was reviewed in The Daily Nation, Kenias national paper, the reviewer pointed out a couple of mistakes with my Swahili, but that was about all. I was extremely relieved!
Crime fiction is a very crowded market and there isnt much that hasnt already been done. As first-time author its vital that my book stands out from the crowd, which is why I consciously set out to create something different, both with the setting and the heroes.
I also wanted to write a genuine crime thriller in other words, a book that combined a murder investigation with plenty of white-knuckle action. So while Jouma uses his brains to solve the mystery, Jake wades in with his fists swinging.
Serial killers and terrorists tend to be cool and calculating and for that reason they are really boring characters to write about for 300 pages. My villains are vain, greedy, incompetent, psychotic and desperate. Making their lives as miserable as possible was an absolute joy!
My plan was always just to get published! But once Id been taken on by an agent the idea of writing a series about Jake and Jouma made sense.
More murder and mayhem in Mombasa, folks! Jouma investigates an apparent suicide which turns out to be something far more sinister, while Jake decides to take on the might of Kenias most powerful and ruthless property developer. Meanwhile the villains in BAIT have some unfinished business. The different strands all come together in the end although I admit there were times when I wondered how I was going to do it!
Im currently writing MACHETE, which is published in the UK in December, and SNAKEPIT, which is out next year, so far consists of a brief plot scribbled on a piece of paper. Id like to write more in the series, but it really depends on how well the first four books are received.
Pouring money into Africa keeps its leaders supplied with BMWs and palaces, but does very little to help the ordinary people.
In Kenia tourism is crucial, because so many people directly benefit from it. I am delighted that visitors are returning after the tribal riots in 2007 and despite the global financial meltdown. In my experience European tourists treat the country with the respect it deserves, and I would urge more people to go.
Kenia is an astonishing country and the optimism of its people in the face of often grinding poverty is inspirational.
Es ist ein Vergnügen gewesen. Danke und beste Wünsche zu allen Zauberspiegel Lesern!